in shifting towards a new nip (novel-in-progress) the connection between city of ladies and a hundred years of becasse is still
the sense of time and place in this hypothetical 16th century village in the novel, city of ladies, was one of the novel’s driving forces. afterwards i fretted, would i ever find another compelling “place?” of course it’s more than that. i had to recoup. gather up and search again. review past works and try them on again. sit with them. it has really taken me the better part of two months (and sailing through a project on the dutch carribean) to reset my writing brain.
i am happy to report i have found an intriguing locale – different and changed. the village of ceres vaulted ahead to contemporary times. as it existed in the now, and what the past left behind for us to discover. don’t you fret either, this is quite a determined and different contemporary story and cast of characters.
what remains unchanged and one of my greatest joys and fervent hopes to mentor young chefs; in learning techniques, yes, and championing cooking – but more - what being connected to the kitchen can mean. empowering them to pass this intangible to their diners, their family and their friends.
for this old/new companion story there has been some early writing, doubt snagging, and the old character dropping. at this stage of the game anything is possible. if i have learned anything – and i can still hear my friend dawn whispering this years ago, outline.
yes, dawn - i won’t be in the rush to write 500 pages, only to be whittled and pared.
so in the new joy of research one thing is certain - things have changed drastically since i was last worked on the threads of this food stylist story.
for one thing before there was not the web.
before, there was la telephone.
whereas now, behold google.
but in mulling over and rereading this companion story i was taken back to a time when i didn’t know my culinary personality.
an earlier version of irena chalmer’s book was my bible as i considered many fo-pressions (food professions) when i graduated from the cia.
then, as now i am renewed - i was enthralled to discover a “new” culinary field.
for a thyme the food stylist’s tweezers fit in my hand quite comfortably.
it all began with a week long class in food styling up at my alma mater, cia. just the other day (the day i was going to post this and my laptop was hijacked by a malware virus and spybot for ten gruesome hours while a skilled technician “took over” the controls to restore my files – a huge thanks to dell!!!)
google found my mentor, delores custer, and this interview about the field.
after that and back in nc i “staged” with janet grennes who helped me tremendously. i really enjoyed working with her. the conflicts came up when i realized; ok, i can do this. but do i want to? but before all wrenching analysis began - we did some crazy shoots.
pasta infomercial assignment.
shoots with house autry breading mix.
“new” line of burger shoots with hardee’s.
over at ragazzi’s. a commercial.
(spring 1995 issue of taste full magazine with janet’s article on sunday brunch and mine on spring lamb.)
on my own i worked as the producer and props stylist for the tar heel chef’s show.(i would tell you about steve dominick, chef/owner of the then new orleans cookery in chapel hill who appeared on the show days before he left town and all his bills. but then that would be put an end to this sharing.)
then came a couple of honey baked ham shoots.
followed by an off the wall assignment to do recipe cards from neelix’s kitchen on the voyager star trek series for a durham trading card company.
how long did they look for someone willing to do this?
these were (are) not the deeply rooted classic french dishes i loved, and loved to teach. but it certainly made me consider what kind of food would they have in space? would such a crew want comfort and memory? brings up a whole range of notions, doesn’t it? what kind of food would you want while orbiting the galaxy? it all depends, doesn’t it?
klingon gahg
serves 4 generously (thank goodness, right?)
1 pound browned and drained country sausage
1 1/2 cups seasoned tomato or pasta sauce
1 1/2 cups canned diced tomatoes
1 cup jumbo japanese udon noodles, cooked 1 minute
combine tomato sauce with diced tomatoes in medium saucepot over medium heat, when hot remove from heat, add sausage and noodles.
arrange carefully.
takar loggerhead eggs with asparagus chili sauce
the idea for the appearance of these eggs comes from a classic chinese dish where you use the same technique of lightly cracking the eggs and steeping them in tea. this could have all kinds of lovely results if you vary the flavoring liquid. for the sake of the photo the flavor isn’t important – but instead they wanted something that would be wild and colorful.
serves 12 egg lovers
1 dozen hard boiled eggs in shell, gently rolled to crack slightly and colored in
6-8 liquid or paste food colors dissolved in water
1 bunch italian (flat leaf) parsley, chopped coarsely
1 head boston lettuce, leaves separated
1/4 cup chopped hot banana peppers (yellow and red, if possible)
asparagus sauce: puree 1 cup cooked asparagus with 1 teaspoon garlic chili paste
peel 11 of the colored eggs and arrange on lettuce on individual plates or one large platter. slice one egg in half crosswise to use as a container for sauce, garnish with chopped pickled red and yellow peppers.
laurelian blue pudding
serves 6
1 cup pearl tapioca soaked for 30 minutes in 4 cups grape or raspberry juice in large pot
2 cups fresh blueberries
2 cups granulated sugar
1/2 teaspoon ground cardamom
add blueberries, sugar, and spice to soaked tapioca pearls. bring to a boil over medium heat, stirring well till thick, about 10 minutes. remove from heat and serve warm.
makes 1 1/4 cup
down as an outrageous breakfast “slurp” over waffles or pancakes. makes a unique dessert sauce spooned over cake or ice cream.
1 cup brewed french roast coffee, cooled
3 tablespoons cornstarch
3 tablespoons honey or maple syrup
1 teaspoon each vanilla and chocolate syrup
combine ingredients in a 2 cup microwaveable glass bowl or cup, cook on high power for 2 minutes, stirring well at the 1 minute mark.
spinach shake with pear
serves 5
1 bunch fresh spinach, cooked 1 minute in boiling water
2 tablespoons frozen o.j. concentrate
1/4 cup pear juice
2 16 ounce cans drained pear halves, reserve juice
1 teaspoon almond extract
in a blender or food processor puree the pear halves with almond extract, pour in bottom of 5 wine glasses. puree spinach with o.j. concentrate and drained pear juice, spoon on top of pear puree. for a two-tone effect.
vulcan plomeek soup
as if you didn’t know the personality of plomeek soup is that once made, it begins to slowly disappear.
serves 4
4 cups chicken or vegetable stock
small handful each dried oriental vegetable (radish leaves, sweet potato and taro stems, black fungus, and fernbrake)
2 pieces dried kelp
1/2 teaspoon each curry powder and tumeric
2 teaspoon sesame oil
bring the stock to a boil in a large soup pot over high heat , add the seasonings, sesame oil, dried vegetables, and kelp. return to a boil, then simmer for 10 minutes. serve immediately.
food styling still fascinates me. the lights, the cameras, the life.
re-entering the field emphasizes and considers the question, what has changed?
even the process of researching and writing about food styling reminds me what drove me to
a search for the old ways.
here is a new season of food stylists who have created marvelous feasts for:
hook.
harry potter.
chocolat.
worlds you know don’t exist but that you want to believe in.
(please write and tell me which ones i have missed!)
i don’t have the skillset to excell with food styling. i admire those who do.
so you see the conflict.
my task, as i see it, is to observe the process, the conflicts, and capture that in the frame of the camera (or the scene in this case since it’s a written work.)
and the amazing interesting times in which we live.
blog by marilinda hodgdon on her life as a food floozie (stylist)
monthly assignments to learn the art of food styling at home
and posts from the 2009 food stylists conference.
agency which represents christine greaves and other well-known food stylists
food in film,
to discuss:
what is the metaphorical role of food in film? how can it be used to convey on one hand, the subtle expressions of social class and on another, the most explosive of passions? and what are the practical problems of cooking and presenting food for the camera? how can the arrangement and colour of food contribute to the story's atmosphere and emotional setting? this session is a must for catering and film students. props of film food will be on display.
then, more recently the ny times tells us how nora ephron created a ‘sole meniuere” epiphany for viewers much like julia’s legendary reaction to her first dish in
